+ Her Barefoot Heart

Tag: autoquiltography

My Trees of Shes: Aunt Rene and Aunt Lucy on Parties

 

 

 

Aunt Rene dances with The Engineer

My granddaddy had one brother – Uncle William – and three sisters – Aunt Rene, Aunt Lucy, and Aunt Mary. Aunt Rene was the fun one. When ever we were with Aunt Rene, life was a party. Aunt Mary was the school marm. She knew she was put on earth to make rules that children were to obey implicitly. Aunt Lucy was the veritable encyclopedia of knowledge on everything – including raising children, which was surprising, given that she had none of her own.

The three sisters were very close. When they weren’t in the same room, they were writing letters to each other. When Aunt Lucy’s husband died, she moved in with Aunt Rene, and the two of them spent all day every day sitting by the same heater, eating at the same table, sleeping in the same bed.

When The Girls hit their mid-nineties, they began to take more naps, and every time they woke up from a nap and found it light outside, they were sure it was morning, so they took their morning tablets. Which meant 2 things: overdose and time to find another place for them to live where others could be responsible for disbursing their medications.

We found a lovely assisted living home close by so we could visit often. As the annual Christmas party approached, Aunt Rene got more and more excited. We made an appointment for her to have her hair fixed,  her nails done, and went shopping for a new gold lame outfit.

The night of the Christmas party, Mother and I went to join in the festivities. We wiped The Girls sitting in the back corner of the room in front of the drink table. On our way to them, Mother made a wide right turn and stopped by to get herself a cup of wine, then we took our places standing behind them. Aunt Rene turned around to greet us, and did a quick double take. “Darlin’, is that alcohol?” she asked Mother.

Mother held the cup out in front of her, looking at it as though wondering what it was and how in the world it got into her hand. Thinking of nothing to say, she went with the truth: “Why yes, Irene, I guess it is.”

”I’ll be right back,” Aunt Rene told us, then took the cup of lemonade she and Lucy were sharing, and headed back to the drinks table where Mr. Joe, the facility’s maintenance man, was ladling out punch. “Mr. Joe,” Aunt Rene said, putting her cup down on the table and pushing it over towards him. “Put some Southern Comfort in my cup, if you please.”

”We don’t have any Southern Comfort,” Mr. Joe told her.

”I think if you’ll go look under that end of the table,” Aunt Renesaid, pointing to her left, “I think you might find some. I’ll wait.”

Mr. Joe obligingly went to the far end of the table, lifted the tablecloth, and looked around to see what was under the table. He came back shaking his head. “I’m sorry, Miss Irene, we just don’t have any Southern Comfort.”

”Well, in that case, I guess you better give me some more lemonade,” Aunt Rene sighed.

The music started, and we all knew that meant time for dancing. Aunt Rene sat up a little straighter, dialed her smile up a notch or two, and handed the lemonade off to Aunt Lucy,. She was ready for the line of men to form in front of her. That woman did love to dance. I knew that, and that’s precisely why when we first got to the party, I asked every able-bodied man to ask Aunt Rene to dance. To a person, they said the same thing: “I sure will take Miss Irene out on the dance floor, just as soon as a slow dance comes on.”

While Aunt Rene was out for her first slow dance, smiling to beat the band, Aunt Lucy decided she wanted to go to bed. “Where’s Irene?” she asked. “I’m ready to go to bed.”

”Aunt REne is at a party, Aunt Lucy. Y’all can go to bed when the party is over,” I told her.

Aunt Lucy got increasingly cranky and louder. I spied a post on the other side of the room, drug an empty chair in front of it, and told Mother to take Aunt Rene over to sit in the chair behind the post so Lucy couldn’t see her, then I took my place in Aunt Rene’s vacated chair next to Lucy. Being the self-appoint4ed family historian, I thought this a fine time to get some stories from Aunt Lucy.

”Aunt Lucy,” I started, “when you and Aunt Rene were teenagers, did y’all go on a lot of dates?”

”NO,” Aunt Lucy barked. “Now where’s Irene? I’m ready to go to bed.”

”Aunt Rene is at a party. When the party is over, she’ll come get you and y’all can go to bed. Now Aunt Lucy, when you and Aunt Rene were teenagers, did y’all like to go to parties?”

”NO. WHERE IS IRENE? I’m ready to go to bed.”

”Aunt Rene is at a party,” I reminded her. “When the party is over, she’ll come get you and y’all can go to bed. Aunt Lucy, when y’all were teenagers, did you like to dance?”

’NO. WHERE IS IRENE? I’M READY TO GO TO BED,” Aunt Lucy screamed at me.

That was the third strike as far as I was concerned. I whipped around in my chair and said in what my children call my meanest teacher voice: “Aunt Lucy, I’ve told you that Aunt Rene is at a party. I’m sitting here being very nice to you, and if you talk that way to me one more time, you’re going to bed all right, and I am going to be the one to take you. I’ll take you upstairs, get your ready for bed, and tuck you in. Then I’ll sit with you while you go to sleep, and when the party is over, Aunt Rene will come in and join you. You’ll already be asleep, so you can see her in the morning. How does that sound?”

In the sweetest voice I’d never heard come from Aunt Lucy’s mouth, she said, “Well, we didn’t party all that much, but when we did, we did enjoy dancing.”

The Story of Women Exhibit: Cannonball

I’m delighted to tell you that three of my girls were selected to be part of  The Story of Women Exhibit at the Milford Arts Center in – you guessed it – Milford, Connecticut. The exhibit opened online and in the brick-and-mortar gallery yesterday and remains open until November 19, 2020. Judge Shanna T. Melton put together a strong multi-media exhibit telling stories of women. Click here to hear from Executive Director Paige, then scroll on down to find links to the virtual exhibit, information about Judge Shanna, and on further down to find a ballot where you can take half a minute to vote for your favorite piece of art in the exhibit, the one you think should be awarded the coveted People’s Choice.

 

The Rinse Cycle, Pivotal Epiphanies in a Woman’s Life: Cannonball

 

We all have them – moments that startle us into utter clarity about the need for significant change. And if we’ve made enough trips around then sun, we know that it’s up to us to create the life we are meant to live, so we grab onto the thread that has guided so many women before us – the thread that is being offered to us now – and Begin. People – even those who initially quake in fear at the thought of how our change might affect their lives – fall in beside us, cheering us on. Ancestors gather round to aid and abet. People we’ll never know urge us on and vow to live a self-determined life of their own. I immortalize that spark and resolve in a series of art quilts I call The Rinse Cycle, Pivotal Epiphanies in a Woman’s Life. I call this one Cannonball.

 

 

“Then One Day she knew she would rather Dive in and make Waves than Drown in silence.”

 

 

Yes, the back of the swimsuit is on the back of the quilt. Of course it is!

 

The Other Two Girls

Swing back by sometime to read about Pink Galoshes Women: Aunt Addie and The Rinse Cycle, Pivotal Epiphanies in a Woman’s Life: Whispering Bones, my two other girls who are in The Story of Women Exhibit.

Travel bans may keep us from seeing the exhibit in person, but there’s not a ban strong enough to keep us from making art, right? I’d sure like to see and hear about what your hands are up to, and if you’re a mind to tell me, please leave a comment and/or connect with me on Instagram and Facebook.  Thank you, Milford Arts Center, for your continued dedication to being a facilitator for the arts that no travel ban can stop or even detour.

Making it Through Exhibit at the Southeastern Quilt and Textile Museum

The Rinse Cycle: Pivotal Epiphanies in a Woman’s Life, Whispering Bones
25.75” h x 18.25” w

Artist Statement: As we sheltered in place for more than 60 days, I was the bologna between my mother and daughter in our three generation sandwich. I struggled to keep Mother occupied and find things she could do to feel needed and useful, and I struggled to find way to tend to my daughter who was experiencing adverse reactions to a new medicine – all while keeping my husband from jumping off the nearest ledge. One morning, I declared asylum in my studio, and having zero ideas and even less inspiration – both stomped flat by exhaustion – I checked my brain at the door and  went full speed into haptic mode, turning my hands loose to select fabric and create at will. This is the result. This is what my heart and hands wanted to say. This is what helped me make it through our COVID-190 togetherness . . . and kept me out of an ill-fitting orange jumpsuit.

I am honored and delighted that this piece was selected to be part of the Making It Through exhibit at the Southeastern Quilt and Textile Museum in Carrollton, Georgia. It’s a virtual exhibit, and you can see it on the Southeastern Quilt and Textile Museum Facebook page. While you’re there, be sure to click on the photo to read the artist statement for each piece that will pop up and appear to the right of the image.

My Tree Of She

MyTreeOfShe1

i am a grove
a copse
a rich, fruitful orchard.

my tree of she
bears the fruit
of music
and cloth
and sparkle
and words.

MyTreeOfShe3

my tree of she
bears blooms
of food
and flowers
and a strength
so soft,
it’s often mistaken
for weakness.

my tree of she
bears leaves
of dance
and duty
and generosity.
leaves of
preserving
and nourishing
and protecting.

MyTreeOfShe2

my tree of she
is rich
in the red roots,
of blood
and hearts
and spirit,
and tears,
in the determination
and tenacity
and quiet boldness
of the women
who precede me.
their fierce independence,
their unbounded love,
their unending creativity,
unlocking the wonder
and the aching beauty
that is
my tree of she.

MyTreeOfShe4

Today’s post is inspired
by the lovely Lindsey Mead
who sweeps me away regularly
with that special brand of wisdom
she shares over at a place called
A Design So Vast . . .

weaving blooms

first, the seed.
from my writing partner and friend julie daley:

Julie

which sparked this in me:

Blossom1

which became this:

Blossom3

and you know how it goes.
one seed blooms,
then another,
then another
which is to say:
there’s more.
just you wait.

it’s scrying time again

we’re snowed in, living on a diet of popcorn and oreos. oops – scratch that. husband just finished the last oreo. looks like it might be another 2 days before we can get out of the driveway, or so says my husband who looks forward to being snowed in, but is quite susceptible to early-onset cabin fever.

StitchedUnnamedLonging1.jpg

i am seldom without my computer
and never without a pen, paper,
and all the bits of cloth and thread
i can get in a quart-size zip-loc bag.

for a change of pace,

i picked up thread and cloth.
the in and out,
the over and under
creates a soothing rhythm,
a salve for my soul.
it grounds me in my matriarchal lineage,
it is the calamine lotion to my inarticulate itch.

here on planet jeanne,
the beginning of a cloth piece
strangely resembles
the beginning of a word piece.

first: the itch
followed closely by: the yearning,
an unnamed longing.
then comes the pondering and circling;
then, finally
finally: the starting.
beginning with only the vaguest notion of what i am trying to create,
the barest whisper of what i am going to say.