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Tag: 365altars (Page 4 of 7)
i am a mess.
maybe it’s being on the other side of another birthday, but i doubt it has anything to do with that one particular day of the year. it would seem that i’ve had enough birthdays by now to know who i am and what i’m about – don’t you think so?
but i don’t. don’t know what i’m all about, i mean.
i am going to die without feeling like i have any substance, any particular usefulness.
and that kills me.
i have stories – stories gone deep. stories of abuse lived through. stories of childbirth by cesarean without anesthesia. stories of being mugged and raped and loved. i’ve lived stories that ended with awards and accolades, stories that can always be counted on to conjure laughter, stories that can be counted on to conjure tears.
but do my stories point the way?
///
i am a good storyteller.
and i bear witness pretty good, too.
i am a good teacher.
i am a good student.
i know my way around the stage and love being there.
i am an introvert by nature.
cloth is in my blood.
laughter (along with southern) is my native tongue.
~
i am a champion of women, loving nothing better than encouraging, applauding, cheering, and holding space as they claim, reclaim, and proclaim their gorgeous genius and genuine glory. every woman out there has it, no doubt about that.
~
lately i’ve shifted into a quieter way of being in the world, preferring less and less words and more and more silence.
~
i’m more about the visual now, preferring to step aside and let photography, cloth pieces, and altars speak to and for me.
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i love to perform.
i love to be alone.
~
despite my several degrees, i know that lived experience is the best teacher and a valid form of evidence and research. nobody will ever convince me otherwise.
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i am anti-flocking through and through, preferring to commit, hear, and cheer original, independent thoughts – or better still, theelings which combine thought with feelings.
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i have authority issues, and i’m not afraid to own them.
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my post-graduate life falls under the heading of “body as cache of knowing.” and it is, you know. our bodies are most definitely caches of knowing.
~
i never read fewer than 4 books at a time, mostly non-fiction because the sentences in fictional books tend to be too damn short.
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i have been an end-of-life doula on several occasions, and despite my partner quitting after the first session of my only acting class ever because i couldn’t die to suit her, i seem to be quite good at helping other people die well.
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i have these flash images that beg me to create them, and so i do. eventually. (just wait’ll you see what i’m doing with the party frock, the wedding veil, and the sheers i took out of my great aunt’s house last month.)
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i recently decided to memorize bits of poetry and recite them as a way of marking the hours of the days. (i don’t know why i put that in here. it just seemed like a good idea at the time.)
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if you ever want a room cleared, call me and i’ll sing. i don’t do it well, but oh my goodness, how i do love to sing. and twirl. i love to twirl.
but
who am i?
what am i about?
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people leave on facebook status updates and blog posts, and i think “okay, that must be It because they are responding to it.” but then i wonder if that’s really true and if i’m falling back into the old familiar pattern of contorting myself to please, so i step aside and into something else.
will the real jeanne please stand up?
i do vision boards and collages,
i brain dance,
i story board these things,
trying to find where they intersect,
searching for the one word – the One Single Word –
that houses them all.
eclectic? can we say eclectic?
over on instagram and pinterest, i say “I’m just a red dirt girl, fluent in English & Southern, Charming & Cranky, I write, i stitch, i perform. Cloth is my bones, stories are my blood, laughter is my oxygen, & photos my floss.” and that’s true – but what’s the main word here? the main theme? how do these things tie together and is that about being or doing? and as if that’s not enough, how do those things make the world a better place?
when people ask me the dreaded “what do you do?” i want to be able to tell them in one word: i _______.
but you should see my business cards.
all of them.
i have enough to shingle the house, you know.
i get hung up on thinking about what would people pay me to do. that one always trips me up, and for the life of me, i don’t know why i continue to consider money the best indicator of worth.
i want to kick patriarchy in the balls and be done with it. i was a feminist before there was such a thing, refusing – even as a wee girl with a big sweet tooth – to ingesting or gifting any of those candy hearts saying “be mine.”
do i flit around too much?
do i not give things enough time?
my 2012 words are “stay” and “surprise.” intimately linked, i’m finding out.
the 365 altars project was a spur-of-the-moment idea that continues to hold great appeal to me . . . even if i’m afraid to create an altar. and it sure seems big enough to wrap itself around all the things i mentioned here and a few i did not. for me, altars represent so much – pauses to stop and say hey to the sacredness of my life; visual expression that needs no words; an old-fashioned ear-wringing to organized religion as a reminder that they don’t hold the monopoly on worship and prayer and sanctuary and sacredness. oh, i have a slew of reasons, but you get the gist. an altar is more than a collection of things, an altar is a way of being in the world, and goodness me, how i do long to be an altar.
i am so confused.
and weary of being confused.
i know (read: italicized sarcasm) i’m supposed to know what i’m supposed to do – supposed to know that all by and of myself, but i don’t and not knowing adds a layer of less than to the mix.
so hey, if you see a connection here, if it is brilliantly clear to you what i do and how i can earn my keep for the rest of my time on earth, i sure do wish you’d let me know. send me a smoke signal from the edge of the forest cause i’m in the middle where it’s dark and all i can see is bark and briars.
~~~ an altar to friendships ~~~
today’s my birthday,
and i don’t think
i’ve ever felt
so seen,
so loved
as when i
opened the gifts
from angela
and julie,
when i read
the post penned
by angela.
when my husband
and daughter
spent the entire day
doing just what i wanted
to do,
and doing it
without complaint.
when my brother
and sister
gathered with us
to enjoy my favorite foods
cooked by my mother
and to eat the cake
made by the
recipe my
grandmother used
to bake my cakes.
when my son
called at both
ends of the day,
just to talk.
and oh my goodness,
all the birthday wishes
awaiting me on facebook
– some of the most beautiful sentiments
and wishes that sent tears making
a run for my chin –
and twitter
and email
and voicemail.
thank you all
for taking time
for me
in this, a day
dedicated to love.
though i don’t want to
age accordingly,
i am thinking we need
to proclaim the 14th of
every month
a type of valentine’s day,
a day to pause and say
“i love you” to
those special people
in our lives.
or then again,
maybe we just tell
at least 14 people
every single day.
yes, maybe so.
they treated us to a trip on saturday, my son and his girlfriend, the gondola dropping us off at the tiptop of keystone in colorado right as the sun retired for the day. it was magnificent – the togetherness, the thoughtfulness, the planning that went into it, the fondue dinner we enjoyed there, singing edelweiss, doing the chicken dance (timed perfectly to occur between the main course fondue and chocolate fondue dessert), and the ride back down the mountain in darkness.
magical
magnificent
moving
moments in time,
certainly worthy of
a block in my ongoing altar cloth
(not that i’ll ever forget it, mind you.)
because this kind of day
is nothing short of
sacred.
~~~ and underneath it all was love ~~~
tonight, another of my mother’s altars.
i mean centerpieces.
blooms come early this year
from bulbs transplanted from my great aunt’s yard.
good soil
sunshine
mild temperatures
and love
(or, in my case, benign neglect).
that’s what it takes
for blooms
to grace
the yards
and tables
generation after
generation
after generation.
after spending a day (a day that seemed more like a decade) of paperwork (thus the decade) (and i’m not finished yet, i have hours to go before i sleep), i crave the life of a simple 9-square, though i can’t help but wonder if less paperwork really does equal simple or if it just seems that way because i hate paperwork more and more every month. wait . . . does living the simple life mean doing less of things i despise and more of things i enjoy? could it really be that simple or is that kinda’ like thinking living life on the prairie in a dugout was simple? either way, today’s altar cloth is a simple 9-square. (a.k.a. wishful thinking.)
Talk about living in the realm of unknowing, that’s where I seemed to have pitched my tent today. This piece of my altar cloth started out as the image that appeared as a response to Pablo Nerusda’s poem called An Ode to Ironing:
Poetry is white
it comes dripping out of the water,
it gets wrinkled and piles up.
We have to stretch out the skin of this planet.
We have to iron the sea in its whiteness.
The hands go on and on
and so things are made
the hands make the world every day,
fire units with steel
linen, canvas and calico come back
from combat in the laundry
and from the light a dove is born
purity comes back from the soap suds.
I saw a sky filled with clothes (probably dirty) falling to earth, forming a dove. But somehow in the stitching, my hands created this, and because I have no idea what my hands are trying to tell me, what they wish to convey, I will leave you with this:
Creating art is like dreaming; there are a multitude of layers that can’t be exhausted with just one sitting.
and this:
In creating altars, we fill a personal space with the power of our own intentions and longings. We take seriously the deep desires of our hearts.
both from the pen of Christine Valters Paintner.
here ‘n there