Archive for the Category »quiltraitures «

scraps

GMBquilt1

it is the sixth day of sun and blue skies we’ve seen since thanksgiving, so we do the only thing that makes sense: we leave. we trek to a nearby town in search of an air purifier – that was our official excuse – and after spending, oh i don’t know, maybe two minutes on that search, we walk up and down main street, ducking in the human society thrift shop – where i found two national geographic magazines i can’t live another day without – then on down to one of the many antique shops on the square.

we see christening dresses, white gloves, a colonial war metal warming plate. we see a small perfume bottle in a sterling silver case that snaps closed with a definitive click. we see an entire cabinet full of keys . . . alas, but no roller skate key. if the woman who talks to herself is to be believed, we see a bible box and an ice cream plate. she begins to talk to me, generously sharing with me news of the best deal around: a mining spot in cherokee, n.c. where you buy a bucket for $13 and set to mining. she went there not long ago, and having decided to hold onto the smaller stones in their natural state, she is heading back over tomorrow to pick up her 3 carat emerald that’s being cut. the man doing the cutting reckons that one stone alone is worth $3,000.00 to $4,000.00, and she wonders how on earth they can make money with buckets costing only $13 each, but soon enough she answers her own question: they own the mining rights AND they get paid to cut and set the stones. she doesn’t think she’s tall enough to pull off wearing a four carat emerald, so she’s fine with the smaller three carat stone.

when she picks up her cut stone, she’ll pay for two or three more of those $13 buckets, hoping to raise enough money to purchase the ten acres on the market for $10,000. it’s uncleared land, but she figures she will sell the stones to pay for the clearing of five acres which she’ll then sell and use the proceeds from that sale to clear the other five acres and have clarence come put her a trailer there where she’ll live happily ever after.

///

spying the glass-front filled with jars and bags of marbles, the young mesmerized boy says pointedly, “dad, do you realize i don’t have any marbles?”

“oh you have some marbles,” his dad says, distracted with the boxes filled with hinges and door knobs and such he’s rifling through “you’ve just lost them.”

///

we see a naked baby doll that’s much the worse for wear, her skin all cracked and peeling, one eye permanently closed in a wink, her smile faded but still radiant. i want to bring her home and love her.

a smaller doll lies in the box with her, a doll so small you can hold her in the palm of one hand. her tag says “porcelain doll missing,” and sure enough both feet, one hand, and one arm up to the elbow have been amputated. i don’t know how to fix her, so i hug her, lay her back down, and wish her well.

///

as i stitch the evening away and as the scraps of fabric find their way together into a new cloth, these lines by nikki giovanni comes to dance in the eye of my needle:

When I am frayed and strained and drizzle at the end
Please someone cut a square and put me in a quilt
That I might keep some child warm
And some old person with no one else to talk to
Will hear my whispers.

///

More about 365 Altars

piecing

Hardhead

do you see the silhouette there?
the face in the stone?
you need to know this about me:
i am bad to personify.
equally bad to tell stories . . .

every morning
at dark thirty,
she pulls her soft, wispy white hair,
a gift from her matriarchal lineage,
into a bun at the nape of her neck
to keep it out of her way
while she feeds fabric
under the needle
that dances up and down
in direct proportion
to the cast iron pedal
she pumps up and down with her feet.

the steady whirring
of the old singer machine
fills the air with music
as she creates quilts -
one for each child,
one for each grandchild -
from assorted scraps of fabric
purchased from
her friend across the street,
paid for with one of her
award-winning
pineapple upside-down cakes.

she dances in stitch

She1a

around and around
and around we go.
where she’ll stop,
we’ll soon know.

she, more

Wovenwhole

in the beginning
there was light:
the lightness of laughter,
the lightness of femininity,
the lightness of self-assurance.
she was fiercely delicate,
this one,
fluent in the strength of vulnerability.

eventually her sure and tender feet
encountered the straight and narrow,
a path lined with directional signs
and dire warnings,
a path with unwavering rules,
a path that blistered unprotected souls.

then came the day when she
stopped -
she just stopped,
i tell you.
picked up the fabrics of her life,
and ripped them to find the straight grain.

she wove
then stitched
the strips together,
the up/down
in/out
over/under
eventually blurring the lines,
fraying the edges,
unraveling things just enough
to form
a whole cloth,
a blank slate
a stout, staunch cloth
on which to write
the rest of her life.

weaving blooms, 2

i see darkness.
mourning
what was
and what
never was.

i see bruises.
life tends to give you those.

i see the softness of
melted butter
and early morning sunshine.

and maybe
a teensy bit
of fear.

She

let’s review: julie daley posted a photo on facebook that set me whirring.