Archive for the Category »planet jeanne «

some things never change, others will by golly

Peas2

As they left the church, the preacher shook their hands and surprised them by announcing his decision to join them at their house for lunch. Said he’d change clothes and be right over. The mother hadn’t prepared enough food for an extra hungry mouth, and of course there was no time to increase the quantities, so when the preacher arrived, threw back his shoulders, patted his paunch, and announced how very hungry he was, the three girls did the only thing they knew to do. They passed the platter of fried chicken to him, and when he asked “Aren’t you having some?” as he heaped three pieces on his own plate, they said “We don’t eat chicken on Sunday.” And when they passed the peas without taking any for themselves, they said “We don’t eat peas on Sunday.” And there was enough for him to have three refills of sweet tea because – you guessed it – they professed to not drinking tea on Sunday.

These were my great aunts, and my heart cries a little bit every time I think about this true story, and whether it’s slaving over a hot stove then heaping the food onto the plates of men waiting at the table with napkins tied around their necks or insisting that men ride in the front seat of the car they bought and paid for, or any number of other things that my tired brain can’t think of right now, I realize how many women have taught me well when it comes to handing over my power.

Why beat a dead horse, you might ask. This is old news. Can’t we move on?

Where’s the line between good manners and handing over your power, anyway? How can you tell the difference between the two?

Then comes my personal favorite, always asked with eyes closed to the point of slits: Are you trying to make all these women be like you instead of allowing them to be themselves?

Good questions that I ask myself (frequently) along with a side of these:

Where did this come from, this handing over of our female power? Was it after World War II when the women stepped aside from the jobs they did so well to let the resume working? Was when the men returned after the Revolutionary War and the War Between the States when woman after woman not only increased the income from the farms but found new crops and markets for those new crops?

More than anything (except for world peace, of course) I want to move past this, but obviously it’s something that remains stuck in my craw. For the record, no, I absolutely am not trying to change women who defer to men. That’s their choice to do or stop doing as they see fit. I recognize the deep and constant conditioning and imprinting on me, and I know that I’m an adult woman, perfectly capable of making my own decisions, cognitively aware of what’s going on. But regardless of years gone under my bridge, regardless of what my brain knows, I still feel the imprinting, and I feel it strongly . . . usually in the form of guilt for refusing to give my food to any man who is rude enough and pompous enough to expect me to; shame that I can’t be as nice and as generous as the women who preceded me in this family; and concern that I embarrass them with my repeated outbursts about handing over our power in ways large and small.

Two days ago, Angela Kelsey wrote about provenance – such a lovely word referring to the chain of ownership of a work of art. She notes her own provenance (because let’s face it: life is art) and closes with her hope that the final entry of her provenance will be herself. Her own name. Her post is the spark that got me pondering this . . . again . . . but this time by stitching the two plates of peas, I stayed with this agitation long enough to realize that at the heart of my continued agitation is the aforementioned guilt and shame and embarrassment. I, too, want to add my name to my life’s provenance, and I want to do it resolutely without a trace of doubt or sticky residue. Now I know what to work on, that I’m certain that I’m really not continuing to flog a dead horse, I’ll set about plucking out the guilt, embarrassment, and shame – and I will do it, too, then I’ll complete my provenance by adding my own name: Wholly Jeanne.

And frame it. The whole damn thing.

///

ConstantChange

Today I had lunch at a girley girl’s restaurant with my mother and two friends I haven’t seen in I don’t know how long. We’ve changed, each of us, and yet our friendship remains strong and tight, loving and unwavering. And to celebrate the good time we enjoyed today and this marvelous bond of friendship, I dedicate today’s altar to Change . . . and Constancy.

365 Altars: honoring our deepest sumptuous selves. 43/365
Perhaps you’d like to get the 365 Altars Newsletter.
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There’s room for everybody at this table,
so join us if and when and as you will.

s.o.s. (read that any way you want to)

Scraps1

i am a mess.

maybe it’s being on the other side of another birthday, but i doubt it has anything to do with that one particular day of the year. it would seem that i’ve had enough birthdays by now to know who i am and what i’m about – don’t you think so?

but i don’t. don’t know what i’m all about, i mean.

i am going to die without feeling like i have any substance, any particular usefulness.
and that kills me.

i have stories – stories gone deep. stories of abuse lived through. stories of childbirth by cesarean without anesthesia. stories of being mugged and raped and loved. i’ve lived stories that ended with awards and accolades, stories that can always be counted on to conjure laughter, stories that can be counted on to conjure tears.

but do my stories point the way?

///

i am a good storyteller.
and i bear witness pretty good, too.
i am a good teacher.
i am a good student.
i know my way around the stage and love being there.
i am an introvert by nature.
cloth is in my blood.
laughter (along with southern) is my native tongue.
~
i am a champion of women, loving nothing better than encouraging, applauding, cheering, and holding space as they claim, reclaim, and proclaim their gorgeous genius and genuine glory. every woman out there has it, no doubt about that.
~
lately i’ve shifted into a quieter way of being in the world, preferring less and less words and more and more silence.
~
i’m more about the visual now, preferring to step aside and let photography, cloth pieces, and altars speak to and for me.
~
i love to perform.
i love to be alone.
~
despite my several degrees, i know that lived experience is the best teacher and a valid form of evidence and research. nobody will ever convince me otherwise.
~
i am anti-flocking through and through, preferring to commit, hear, and cheer original, independent thoughts – or better still, theelings which combine thought with feelings.
~
i have authority issues, and i’m not afraid to own them.
~
my post-graduate life falls under the heading of “body as cache of knowing.” and it is, you know. our bodies are most definitely caches of knowing.
~
i never read fewer than 4 books at a time, mostly non-fiction because the sentences in fictional books tend to be too damn short.
~
i have been an end-of-life doula on several occasions, and despite my partner quitting after the first session of my only acting class ever because i couldn’t die to suit her, i seem to be quite good at helping other people die well.
~
i have these flash images that beg me to create them, and so i do. eventually. (just wait’ll you see what i’m doing with the party frock, the wedding veil, and the sheers i took out of my great aunt’s house last month.)
~
i recently decided to memorize bits of poetry and recite them as a way of marking the hours of the days. (i don’t know why i put that in here. it just seemed like a good idea at the time.)
~
if you ever want a room cleared, call me and i’ll sing. i don’t do it well, but oh my goodness, how i do love to sing. and twirl. i love to twirl.

but
who am i?
what am i about?

///

people leave on facebook status updates and blog posts, and i think “okay, that must be It because they are responding to it.” but then i wonder if that’s really true and if i’m falling back into the old familiar pattern of contorting myself to please, so i step aside and into something else.

will the real jeanne please stand up?

i do vision boards and collages,
i brain dance,
i story board these things,
trying to find where they intersect,
searching for the one word – the One Single Word -
that houses them all.

eclectic? can we say eclectic?

over on instagram and pinterest, i say “I’m just a red dirt girl, fluent in English & Southern, Charming & Cranky, I write, i stitch, i perform. Cloth is my bones, stories are my blood, laughter is my oxygen, & photos my floss.” and that’s true – but what’s the main word here? the main theme? how do these things tie together and is that about being or doing? and as if that’s not enough, how do those things make the world a better place?

when people ask me the dreaded “what do you do?” i want to be able to tell them in one word: i _______.
but you should see my business cards.
all of them.
i have enough to shingle the house, you know.

i get hung up on thinking about what would people pay me to do. that one always trips me up, and for the life of me, i don’t know why i continue to consider money the best indicator of worth.

i want to kick patriarchy in the balls and be done with it. i was a feminist before there was such a thing, refusing – even as a wee girl with a big sweet tooth – to ingesting or gifting any of those candy hearts saying “be mine.”

do i flit around too much?
do i not give things enough time?
my 2012 words are “stay” and “surprise.” intimately linked, i’m finding out.

the 365 altars project was a spur-of-the-moment idea that continues to hold great appeal to me . . . even if i’m afraid to create an altar. and it sure seems big enough to wrap itself around all the things i mentioned here and a few i did not. for me, altars represent so much – pauses to stop and say hey to the sacredness of my life; visual expression that needs no words; an old-fashioned ear-wringing to organized religion as a reminder that they don’t hold the monopoly on worship and prayer and sanctuary and sacredness. oh, i have a slew of reasons, but you get the gist. an altar is more than a collection of things, an altar is a way of being in the world, and goodness me, how i do long to be an altar.

i am so confused.
and weary of being confused.

i know (read: italicized sarcasm) i’m supposed to know what i’m supposed to do – supposed to know that all by and of myself, but i don’t and not knowing adds a layer of less than to the mix.

so hey, if you see a connection here, if it is brilliantly clear to you what i do and how i can earn my keep for the rest of my time on earth, i sure do wish you’d let me know. send me a smoke signal from the edge of the forest cause i’m in the middle where it’s dark and all i can see is bark and briars.

rhythm

Nature1

natural rhythms
appear in nature
and in
friendships.

///

365 Altars: honoring our deepest sumptuous selves. 31/365
Perhaps you’d like to get the 365 Altars Newsletter.
And share a link to your blog so we can drop by and say “Hey.”
And join the 365 Altars Facebook community
and the Flickr community.
and wave to us by using the hashtag #365Altars on twitter.

There’s room for everybody at this table,
so join us as and if and when you will.
And, hey, for all you mobile users:
Ia2jU qr 2

maybe

Maybe

from my journal, dated 12/25/11 (but still true):

maybe it’s because i have a tendency to live, think, walk and breathe in metaphors.

maybe it’s because i’m still too invested in pleasing others.

maybe it’s because i don’t have enough degrees.

maybe it’s because i don’t travel enough, don’t cook enough, don’t . . . don’t . . . don’t. . .

maybe it’s because i have far more questions than answers.

maybe it’s because i’m unwilling or distrustful or too egocentric to just take what you tell me as the gospel truth.

i don’t know why,
i only know that
i have a restless soul
that wants to be
listened to deeply
loved wholeheartedly
seen lightly
touched tenderly.
my spirit
begs space to ask
the questions
and patience
to find the answers
understanding
that the answers
might be
more questions
or a painting
or dance
or cloth
or sky
or grass
or weeds
or fire
or rain.

my soul
has an itch
that no amount
of over the counter
analgesic
or prescription
anti-itch
ointment
can soothe.
and the worst part?
the itch moves
and shifts
and enjoys
playing
hide and seek.

///

365 Altars: honoring our deepest sumptuous selves. 26/365
Perhaps you’d like to get the 365 Altars Newsletter.
And share a link to your blog so we can drop by and say “Hey.”
And join the 365 Altars Facebook community
and the Flickr community.
and wave to us by using the hashtag #365Altars on twitter.

There’s room for everybody at this table,
so join us as and if and when you will.
And, hey, for all you mobile users:
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scraps

GMBquilt1

it is the sixth day of sun and blue skies we’ve seen since thanksgiving, so we do the only thing that makes sense: we leave. we trek to a nearby town in search of an air purifier – that was our official excuse – and after spending, oh i don’t know, maybe two minutes on that search, we walk up and down main street, ducking in the human society thrift shop – where i found two national geographic magazines i can’t live another day without – then on down to one of the many antique shops on the square.

we see christening dresses, white gloves, a colonial war metal warming plate. we see a small perfume bottle in a sterling silver case that snaps closed with a definitive click. we see an entire cabinet full of keys . . . alas, but no roller skate key. if the woman who talks to herself is to be believed, we see a bible box and an ice cream plate. she begins to talk to me, generously sharing with me news of the best deal around: a mining spot in cherokee, n.c. where you buy a bucket for $13 and set to mining. she went there not long ago, and having decided to hold onto the smaller stones in their natural state, she is heading back over tomorrow to pick up her 3 carat emerald that’s being cut. the man doing the cutting reckons that one stone alone is worth $3,000.00 to $4,000.00, and she wonders how on earth they can make money with buckets costing only $13 each, but soon enough she answers her own question: they own the mining rights AND they get paid to cut and set the stones. she doesn’t think she’s tall enough to pull off wearing a four carat emerald, so she’s fine with the smaller three carat stone.

when she picks up her cut stone, she’ll pay for two or three more of those $13 buckets, hoping to raise enough money to purchase the ten acres on the market for $10,000. it’s uncleared land, but she figures she will sell the stones to pay for the clearing of five acres which she’ll then sell and use the proceeds from that sale to clear the other five acres and have clarence come put her a trailer there where she’ll live happily ever after.

///

spying the glass-front filled with jars and bags of marbles, the young mesmerized boy says pointedly, “dad, do you realize i don’t have any marbles?”

“oh you have some marbles,” his dad says, distracted with the boxes filled with hinges and door knobs and such he’s rifling through “you’ve just lost them.”

///

we see a naked baby doll that’s much the worse for wear, her skin all cracked and peeling, one eye permanently closed in a wink, her smile faded but still radiant. i want to bring her home and love her.

a smaller doll lies in the box with her, a doll so small you can hold her in the palm of one hand. her tag says “porcelain doll missing,” and sure enough both feet, one hand, and one arm up to the elbow have been amputated. i don’t know how to fix her, so i hug her, lay her back down, and wish her well.

///

as i stitch the evening away and as the scraps of fabric find their way together into a new cloth, these lines by nikki giovanni comes to dance in the eye of my needle:

When I am frayed and strained and drizzle at the end
Please someone cut a square and put me in a quilt
That I might keep some child warm
And some old person with no one else to talk to
Will hear my whispers.

///

365 Altars: honoring our deepest sumptuous selves. 24/365
Perhaps you’d like to get the 365 Altars Newsletter.
And share a link to your blog so we can drop by and say “Hey.”
And join the 365 Altars Facebook community
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There’s room for everybody at this table, so join us as and if and when you will.
And, hey, for all you mobile users:
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ripening

JeanneAndy07319173

i met him 39 years ago tonight. he was a bartender, and i was one of two girlfriends enjoying a night on the town. we were only looking for a free drink, but i got so much more – the bartender’s eye that night, and his heart soon after. he had my heart from the get-go.

i still feel a tingle when i see him after even the briefest absence. his lips are still the softest lips i’ve ever kissed. he is gentle, and though he doesn’t always understand me, he at least tries. his logical, linearly-inclined way of thinking his way through the world nicely balances my more metaphorically-inclined, search-for-the-story way that bends towards unpredictable. we hold hands wherever we are. he’s never put his work before family, and most importantly: we laugh. a lot.

we’re not the same people now, individually or together. how could we be, really? and our love is different, too. not better, not worse, just different.

and still changing all the time.

///

365 Altars: honoring our deepest sumptuous selves.
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ire

DSC03077

tonight i am angry.
deeply
fiercely
hugely
angry.
as close as i’ve ever come
to being
consumed
by anger.

and you know,
it feels
pretty damn
good.

so
i’m laying
it
on my altar
tonight
without avoidance
or
apology.
without giving
a rat’s ass
if it’s
ladylike
or not
to be
angry.
without
wasting one
nanosecond
wondering
if i’ll still
love myself
in the morning.

///

365 Altars: honoring our deepest sumptuous selves. 12/365
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tender

DSC01536

my grandmother
was smart in ways
they don’t teach you in school.
she knew things like
red rock ginger ale
is the best thing
on earth
for a stomach
that’s acting up,
and she knew
that the second day
after any injury
is when you experience
the worst pain.
after that,
the hurt begins
to subside.

women can be
so supportive of each other
and
women can be
so hurtful to each other.

today,
the second day after,
i lay my tender bruises
on the altar,
amid all the old junk
that rises
and the familiar patterns
that beckon,
and i grieve.

///

365 Altars: honoring our deepest sumptuous selves. 6/365
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thresholds

Sunset06jan2012

When we moved last spring, we dumped a lot of stuff on our daughter – things she could probably use, most of it good stuff, but still it was enough stuff to fill her garage, leaving her to park outside. Today we waded through the boxes and bags, tossing, giving, putting up.

Funny how good it makes my daughter and me feel to bring order to the physical chaos that surrounds us . . . now. Up until today, she has scoffed and called me anal. Up until today, I have made unilateral decisions about what stays and what goes, telling myself it was in the name of expediency.

Just at 5 p.m., while my smile remained strong but my energy waned, I looked up to see the sun setting. And just like that I thought of Naples, Florida where people applaud each sunset, dazzling or no. And I thought of Retreat – of the bugle that played every evening at 5 or 6 p.m. (depending on the season), of how everything and everyone came to a halt and stood in silence as the flag was lowered and the cannon fired. And though I am not on a beach and no longer on a military college campus, I stopped, snapped a couple of photographs, and in my own way, saluted the changing of the guard, sun to moon.

It was a good day, a good start. We cleared many layers of junk. We cleared more than a garage. It is a good and satisfying tired, and there is much to place on my altar today.

///

365 Altars: honoring our deepest sumptuous selves. 5/365
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quests and questions

Who am I now?

What do I want next?

These are questions asked by Sally G. at her altar today, questions I ask myself regularly – questions I have asked myself for a long, long time. These are the questions at the top of the list of questions that enkindled 365 Altars.

What do I know, not What degrees do I have, but What do I know?

Who am I now – not who have I been, but who am I now?

What can I contribute, and not just in terms of money?

How does this longing look dressed in words?

Where do I go from here?

What does the culmination of all the things I’ve done look like?

and the ever popular: What is the purpose/Why am I here, anyway?

I look for clues in my childhood – what did I like that got shoved aside in the mad rush to adulthood? What did I want to do with my life when my life was the only thing that mattered, the only thing I was responsible for?

Inspired by Sally G, I place on my altar today a recording of the first record I purchased with my own money. I moved into the basement apartment that my daddy’s daddy declined to inhabit, and I took the record player that was replaced by a fancy new console entertainment center. On any given day, I’d put this 45 rpm record on the turntable, lower the diamond stylus onto the vinyl, and skate around and around and around the unfinished basement just outside my door, feeling completely free, completely in charge of my own destiny, completely sated. Anything was possible. I was capable, on the ready, and darn near invincible. It was enough just to be me.

It’s how I feel now only in the dark thirty hours on the occasional day.

It’s how I long to feel again on any given moment of any given day (minus the roller skating part, mind you).

As I skated, I knew with my entire being that this song was written for and about me. It’s still necessary to escape occasionally to go downtown and get lost in the crowd, to see brightly lit organized spaces filled with colorful goods that promise to make my life perfect (whatever that is). But I no longer want to leave home to dance. It’s no longer comforting, reassuring, or convincing, this notion that I can crawl through some escape hatch and leave all my troubles and worries behind. I am tired of being encouraged to live for the future.

I don’t want to have to leave myself to be myself.

So maybe I’m a wee bit further along on my quest to self definition, to self determination. And while the lyrics don’t hold what they once did for me, the music still beckons me to get up and dance right here, right now. (Which is good ’cause I’ve vowed to move more this year – preferring the word “move” eversomuchmore than “exercise.”)

And with lingering questions that outnumber answers, I leave you with Petula Clark singing the first record I bought with my own money: Downtown . . .

///

365 Altars: honoring our deepest sumptuous selves. 4/365